RELAXED CONCERT: THE STORM WHALE

Stoller Hall, Manchester
Saturday 23 May 2026, 11.00am / 2.00pm
Book Tickets

A Relaxed performance of Music in the Round’s brand-new storybook concert, based on the modern classic book series by Benji Davies.

 The Storm Whale tells the story of a child, a whale washed up on the beach, and friendships that will change their lives forever and echo down the generations. These heart-warming tales of friendship, love and courage are brought to life through music specially written to accompany the book by Paul Rissmann, Music in the Round’s Children’s Composer-in-Residence.  

For this ‘Relaxed’ version of The Storm Whale concert, there will be a ‘Meet the Musicians’ event before the concert (from 11.00am & 2.30pm), so audiences can be introduced to the musicians and the sounds that their instruments make. 

For the concert, doors will be left open, lights raised and a break-out space provided. There will not be any emphasis on the audience being quiet; vocalisations and movements are welcome. 

People with an Autism Spectrum, sensory or communication disorder or learning disability, those with age-related impairments and parents/carers with babies are all encouraged to join us for these special events.

It will be a welcoming, inclusive introduction to a live concert experience, brimming with wonderful music, memorable songs, images from the book and chances to join in, should you wish.

This illustrated and narrated storybook concert is brought to you by Music in the Round, the producers of previous popular family concerts Izzy Gimzo, Giddy Goat and Sir Scallywag.

The Storm Whale tells a simple but powerful story about loneliness and the love between a parent and child… The world may be as big and lonely and incomprehensible as the ocean, but still it’s possible to find tremendous, heart-stopping tenderness.” The New York Times on the book

With many thanks to all our funders, including:

The Sarah Nulty Power of Music Foundation, The JG Graves Charitable Trust, Sheffield Town Trust and Wise Music Foundation

“The musicians did a wonderful job of introducing the young audience to enjoyment of the theatre, live music and engaging story-telling. Proof of their success [were] the lines of excited children coming up to meet the musicians who had gathered in the foyer with their instruments.”

The Yorkshire Post (on a previous Music in the Round storybook concert)

FAMILY CONCERT: THE STORM WHALE

Stoller Hall, Manchester
Sunday 24 May 2026, 12.00am / 2.00pm
Book Tickets

A brand-new storybook concert, based on the modern classic book series by Benji Davies.

The Storm Whale tells the story of a child, a whale washed up on the beach, and friendships that will change their lives forever and echo down the generations. These heart-warming tales of friendship, love and courage are brought to life through music specially written to accompany the book by our Children’s Composer-in-Residence, Paul Rissmann.  

Perfect for 3 to 7 year-olds and their families, this illustrated and narrated storybook concert is brought to Stoller Hall with Music in the Round, the producers of previous popular family concerts Izzy GimzoGiddy Goat and Sir Scallywag. It is a wonderful introduction to a live concert experience, brimming with wonderful music, memorable songs, images from the book and plenty of chances to join in.

The Storm Whale tells a simple but powerful story about loneliness and the love between a parent and child… The world may be as big and lonely and incomprehensible as the ocean, but still it’s possible to find tremendous, heart-stopping tenderness.” The New York Times on the book

With many thanks to all our funders, including:

The Sarah Nulty Power of Music Foundation, The JG Graves Charitable Trust, Sheffield Town Trust and Wise Music Foundation

“The musicians did a wonderful job of introducing the young audience to enjoyment of the theatre, live music and engaging story-telling. Proof of their success [were] the lines of excited children coming up to meet the musicians who had gathered in the foyer with their instruments.”

The Yorkshire Post (on a previous Music in the Round storybook concert)

SCHOOLS’ CONCERT: THE STORM WHALE

Ensemble 360

St Margaret's Church, Barking & Dagenham
Friday 5 June 2026, 11.00am / 1.30pm

Music in the Round invites your class to take part in a brilliant music project, culminating in a live concert with Barking and Dagenham Music Hub.

Paul Rissmann (composer) has created a brand-new piece of music based around the modern-classic children’s books by Benji Davies, which includes songs for your class to learn and join in with in the concert.

The Storm Whale tells the story of a boy, a whale washed up on the beach and friendships that will change their lives forever and echo down the generations. Benji Davies’ heart-warming tales of friendship, love and courage are brought to life through music specially written to accompany the book. 

Our EY and KS1 practitioners will support you to embed singing and music-making in classroom learning throughout the project, with training, resources, and in-school support newly developed around The Storm Whale books. The project introduces young children to classical music in a fun and educational setting, including a concert featuring strings, woodwind and horn, presented together with story-telling and projected illustrations.

Performed by the wonderfully dynamic and hugely engaging musicians from Ensemble 360, this concert is a great introduction to live music for early years and KS1 children. It’s full of wit, invention, songs and actions, and plenty of opportunities to join in.

An educators’ classroom pack and other resources are available here.

The Storm Whale tells a simple but powerful story about loneliness and the love between a parent and child… The world may be as big and lonely and incomprehensible as the ocean, but still it’s possible to find tremendous, heart-stopping tenderness.” The New York Times on the book

With many thanks to all our funders, including:

The Sarah Nulty Power of Music Foundation, Gripple Foundation, JG Graves Charitable Trust, Sheffield Town Trust and Wise Music Foundation

“The musicians did a wonderful job of introducing the young audience to enjoyment of the theatre, live music and engaging story-telling. Proof of their success [were] the lines of excited children coming up to meet the musicians who had gathered in the foyer with their instruments.”

The Yorkshire Post (on a previous Music in the Round storybook concert)

BACH FOR SOLO CELLO

Ensemble 360

The Place, Bedford
Tuesday 26 May 2026, 7.30pm

Tickets: £20
Under 35s: £5

Book Tickets

Join Music in the Round for a friendly and welcoming classical concert performed by the brilliant cellist Gemma Rosefield, from Ensemble 360– a group of world-class artists who perform music written specially for small combinations of strings, wind and piano.

JS BACH
   Cello Suite No. 1 in G
Cello Suite No. 3 in C
Cello Suite No. 6 in D

For Music in the Round’s first concert at The Place, Gemma Rosefield (Ensemble 360, Leonore Piano Trio) plays some of Bach’s most intimate works, interspersing music with conversation and questions. You’ll be sitting just metres away from this amazing musician, described as “a mesmerising musical treasure” by The Strad, performing spine-tingling music with her heart and soul in The Place, an intimate space where the audience surrounds the performer on three sides.

Immerse yourself in the intricate melodies of these cello masterpieces. From the haunting prelude to an energetic gigue, the many movements of each suite showcase the versatility and expressiveness of the cello.

These works are some of the most frequently performed and recognisable solo compositions ever written for cello and regularly feature in film and television soundtracks.

 

SCHOOLS’ CONCERT: THE STORM WHALE

Ensemble 360

The Civic, Barnsley
Wednesday 17 June 2026, 10.30am

Tickets from £6.50

Book Tickets

Music in the Round invites your class to take part in a brilliant music project, culminating in a live concert at The Civic, Barnsley.

Paul Rissmann (composer) has created a brand-new piece of music based around the modern-classic children’s books by Benji Davies, which includes songs for your class to learn and join in with in the concert.

The Storm Whale tells the story of a boy, a whale washed up on the beach and friendships that will change their lives forever and echo down the generations. Benji Davies’ heart-warming tales of friendship, love and courage are brought to life through music specially written to accompany the book. 

Our EY and KS1 practitioners will support you to embed singing and music-making in classroom learning throughout the project, with training, resources, and in-school support newly developed around The Storm Whale books. The project introduces young children to classical music in a fun and educational setting, including a concert featuring strings, woodwind and horn, presented together with story-telling and projected illustrations.

Performed by the wonderfully dynamic and hugely engaging musicians from Ensemble 360, this concert is a great introduction to live music for early years and KS1 children. It’s full of wit, invention, songs and actions, and plenty of opportunities to join in.

An educators’ classroom pack and other resources are available here.

The Storm Whale tells a simple but powerful story about loneliness and the love between a parent and child… The world may be as big and lonely and incomprehensible as the ocean, but still it’s possible to find tremendous, heart-stopping tenderness.” The New York Times on the book

With many thanks to all our funders, including:

The Sarah Nulty Power of Music Foundation, Gripple Foundation, JG Graves Charitable Trust, Sheffield Town Trust and Wise Music Foundation

“The musicians did a wonderful job of introducing the young audience to enjoyment of the theatre, live music and engaging story-telling. Proof of their success [were] the lines of excited children coming up to meet the musicians who had gathered in the foyer with their instruments.”

The Yorkshire Post (on a previous Music in the Round storybook concert)

INTIMATE LETTERS

Ensemble 360 & Paul Hawkyard

The Civic, Barnsley
Wednesday 17 June 2026, 7.30pm

Tickets:
£16
£11.50 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

JANÁČEK String Quartet No.2 ‘Intimate Letters’ (with script by Paul Allen) (50′)
SCHUBERT String Quartet in D minor Death and the Maiden (50’)

Janáček’s celebrated second quartet – nicknamed ‘Intimate Letters’ – is brought to life with readings of the Czech composer’s candid and personal writing, performed by actor Paul Hawkyard (King Minos, Monster in the Maze, 2024), in the role of ‘Leoš’. 

This captivating work of music interspersed with words is followed by a Schubert masterpiece, ‘Death and the Maiden’.

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JANÁČEK Leoš, String Quartet No.2 “Intimate Letters”

Andante 
Adagio 
Moderato 
Allegro  

This extraordinary work was the result of extraordinary circumstances. As a married man in his 70s, Janáček had been head over heels in love with the much younger Kamila Stösslová for a decade by the time he wrote his 2nd String Quartet. This was a passionate (if largely one-sided) love that is eloquently expressed in the hundreds of letters he wrote her, and in the pieces that were directly inspired by her – from operas such as Katya Kabanova to the much more private world of chamber music. On 29 January he told Kamila about the latest piece to be inspired by her: ‘Today it’s Sunday and I’m especially sad. I’ve begun to work on a quartet; I’ll give it the name Love Letters.’ By 19 February the sketch was finished, and a couple of weeks later Janáček had written out a fair copy. He changed his mind several times about the title, eventually settling on Intimate Letters. The original scoring, noted on the manuscript, was to include a viola d’amore – the viola of love – but this was more symbolic than practical and after a private play-through, Janáček abandoned the idea.   

Janáček’s letters to Kamila are revealing about the programmatic content of this quartet. The first movement he described as ‘the impression of when I saw you for the first time!’ and the third evokes a moment ‘when the earth trembled’. The fourth movement was ‘filled with a great longing – as if it were fulfilled.’ As for the whole work, he confided in April 1928 that ‘it’s my first composition whose notes glow with all the dear things that we’ve experienced together. You stand behind every note, you, living, forceful, loving.’  

Janáček died on 12 August 1928, and the quartet had to wait another decade before it was published, by which time both Kamila and Janáček’s long-suffering wife Zdenka were dead. Intimate Letters stands as one of the most personal and original works in the twentieth-century quartet repertoire. The Czech novelist Milan Kundera summarized the essence of Janáček’s art as ‘capturing unknown, never expressed emotions, and capturing them in all their immediacy’. 

Nowhere is it more immediate – or more emotional – than in this quartet.  

© Nigel Simeone

SCHUBERT Franz, String Quartet in D minor ‘Death and the Maiden’

i. Allegro
ii. Andante
iii. Scherzo
iv. Presto
The beginning of 1824 was a very difficult period for an ill, penniless and depressed Franz Schubert. “I find myself to be the most unhappy and wretched creature in the world,” he wrote to his friend Josef Kupelwieser. “I might as well sing every day now, for upon retiring to bed each night I hope that I may not wake again, and each morning only recalls yesterday’s grief.” 

But he succeeded in channeling this moroseness into creation, and Schubert produced some of his most celebrated contributions to chamber music literature during this sorrow-filled period. Not only did he produce the String Quartet in A Minor D804, he returned—perhaps driven by his own reckoning with mortality—to his 1817 setting of Matthias Clodius’s Death and the Maiden, a two-stanza text which opens with the maiden’s frightened plea and closes with Death’s calm response. 

This music forms the basis of the second movement, a theme which spins out in variations before turning towards its somber home. It follows an explosive first movement which introduces the composition’s underlying principles: a throbbing, unrelenting triplet figure, and a hewing towards minor tonalities. This is a work that plumbs the depths of despair. 

The triplet theme returns as an accompaniment to the first violin’s descant in the first variation of the second movement. Then, two dances of death: A fast, jolting Scherzo, with a rare glimpse of the major mode sets up a galloping tarantella-rondo finale. It ends, completely spent, with two huge chords. 

 

© Hugh Morris 2025

NORTHERN LIGHTS: NORWEGIAN FOLK

Engegård Quartet

Firth Hall - University of Sheffield, Sheffield
Sunday 29 November 2026, 2.00pm

Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

Formed under the midnight sun in the Lofoten Islands, Norway’s leading string quartet brings the rugged soul of the country to the stage. 

From the vast plains of Finnmark to the fjords of Kvæfjord, this programme features the Quartet’s own arrangements of traditional joiks – one of the oldest song traditions in Europe – alongside haunting psalms and spirited bridal marches.

A fresh take on repertoire that is 400 years in the making, this concert explores the roots of much of the weekend’s music in an evocative, moving and joyful finale.

Part of NORTHERN LIGHTS A sweeping weekend of elemental music from the frozen north.
Friday 27 November – Sunday 29 November 2026

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NORTHERN LIGHTS: ENGEGÅRD QUARTET

Engegård Quartet

Crucible Playhouse, Sheffield
Saturday 28 November 2026, 7.00pm

Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

MOZART String Quartet No.15 in D minor K.421 (33’)
BEETHOVEN String Quartet No.11 Op.95, ‘Serioso’ (20’)
GRIEG String Quartet (33’)

Norway’s multi-award-winning Engegård Quartet brings its customary boldness, energy and freshness to Sheffield. It is a quartet with a deep affinity with Mozart and Beethoven and a profound commitment to Norwegian music. 

Fresh from releasing a highly praised complete recorded cycle of Mozart’s string quartets, this concert brings together key strands of their musical life.

Beethoven’s Serioso retains its power to move as it veers violently between brutish power and yearning lyricism before tumbling to its thrilling conclusion. Grieg’s only completed string quartet is joyously inspired by the unique sound of the hardanger fiddle, evoking singing, dancing and quarrels in a distinctly Norwegian musical language.

Part of NORTHERN LIGHTS A sweeping weekend of elemental music from the frozen north.
Friday 27 November – Sunday 29 November 2026 

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NORTHERN LIGHTS: SIBELIUS & GRIEG

Ensemble 360

Crucible Playhouse, Sheffield
Saturday 28 November 2026, 2.00pm

Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

GRIEG Andante con moto (10’)
GRIEG Cello Sonata (28’)
SIBELIUS Andante Festivo (5’)
SIBELIUS String Quartet in D minor, ’Voces intimae’ Op.56 (28’)

Masterpieces and miniatures for strings and piano by two giants of Nordic classicism.

Grieg’s Cello Sonata is a passionate, expressive, dancing work, full of sweeping melodies and stirring tension. Sibelius’s taut String Quartet broods and bristles with soulful intensity and culminates in a fiery finale. 

Part of NORTHERN LIGHTS A sweeping weekend of elemental music from the frozen north.
Friday 27 November – Sunday 29 November 2026 

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NORTHERN LIGHTS: MUSIC FROM ICELAND

Phaedra Ensemble

Crucible Playhouse, Sheffield
Friday 27 November 2026, 7.00pm

Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

THORVALDSDÓTTIR Spectra (11’)
GUÐNADÓTTIR Point of Departure (8’)
ARNALDS This Place is a Shelter (4’)
SIGURÐSSON Nabraska (11’)
THORVALDSDÓTTIR Reminiscence (7’)
BJÖRK (arr. Tassie) Unravel (4’)
BJÖRK (arr. Tassie) Jóga (5’)
ARNALDS Beth’s Theme (from the soundtrack to Broadchurch) (5’)
BJANASON Stillshot (11’)
JOHANNSSON Passacaglia (6’)

Phaedra Ensemble launches our Northern Lights weekend with a dazzling portrait of contemporary Icelandic music ranging from celebrated glacial works by Anna Thorvaldsdóttir and Oscar-winning Hildur Guðnadóttir, to new arrangements of the ever-inventive Björk and Ólafur Arnalds’ haunting original music for Broadchurch.

Evoking distant plains, shimmering permafrost landscapes, the flickering of flames and the chill of the tundra: this is music from the land of fire and ice.

Part of NORTHERN LIGHTS A sweeping weekend of elemental music from the frozen north.
Friday 27 November – Sunday 29 November 2026

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NORTHERN LIGHTS: A JOURNEY THROUGH NORDIC MUSIC

Crucible Playhouse, Sheffield
Friday 27 November 2026, 5.15pm

Tickets:
£5 (free to ticket-holders for other Northern Lights events, please book ahead)

Book Tickets

Setting the scene for the weekend, join a panel of musicians and experts who will shine a light on some of the composers and music featuring across the three days.

Part of NORTHERN LIGHTS A sweeping weekend of elemental music from the frozen north.
Friday 27 November – Sunday 29 November 2026

REICH: ELECTRIC COUNTERPOINT

Sean Shibe

Crucible Playhouse, Sheffield
Saturday 5 December 2026, 7.00pm

Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s

Book Tickets

JS BACH Suite No.1 in G BWV 1007 (20’)
ADÈS Forgotten Dances (18’)
MESSIAEN O Sacrum Convivium (4’)
MONK Nightfall (10’)
REICH Electric Counterpoint (15’)

A magnetic performer, prolific recording artist, and a curious and wide-ranging musical explorer, this is a chance to experience one of the most celebrated musicians working today in the intimate setting of the Crucible Playhouse.

Making a triumphant return to Sheffield, Scottish guitarist Sean Shibe presents a virtuosic tour of four centuries of music, including a transcription of Bach’s beloved first cello sonata, Steve Reich’s thrilling masterpiece Electric Counterpoint and a recent commission by the UK’s leading contemporary composer Thomas Adès, alongside two of the standout works from his celebrated album Lost & Found.

 

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WOW! I thought I’d take a dutiful listen and couldn’t get my headphones off. Sean Shibe has made one of the best recordings of Electric Counterpoint ever!  ”

Steve Reich