Allegretto con spirito 

Allegro 
The G Major Sonata for Violin and Piano is the first of a group of six for piano and violin composed in Mannheim and Paris during the course of the tour undertaken by Mozart and his mother during 1777 and 1778. Mozart seems to have been inspired to write these works after a chance discovery. On October 6, 1777, he wrote a letter to his father about a set of sonatas by the Dresden musician Joseph Schuster (1748–1812): “I send my sister herewith six duets for harpsichord and violin by Schuster, which I have often played here. They are not bad. If I stay on I shall write six myself in the same style, as they are very popular here.” What seems to have struck Mozart about Schuster’s sonatas is the independence of the two instrumental parts – with much more prominent writing for violin than in Mozart’s earlier sonatas for this combination. These six sonatas were published in Paris in as Mozart’s “Opus 1”, dedicated to Maria Elisabeth, Electress of the Palatinate. The first movement is a variant of sonata form (without a significant development of the ideas), and the second suggests a bucolic dance, with a minor-key episode at its centre providing a contrast to the sunnier outer sections. 

Nigel Simeone 2013