CROSSCURRENTS: GWILYM SIMCOCK & FRIENDS
Gwilym Simcock, Claire Booth, Rob Buckland & Ensemble 360
Crucible Theatre, Sheffield
Saturday 16 May 2026, 7.15pm
Tickets:
£23
£14 UC, PIP & DLA
£5 Students & Under 35s
DEBUSSY Children’s Corner (30’)
RAVEL Pavane pour une infante défunte (arr. Buckland)
PURCELL O Solitude, My Sweetest Choice (6′)
FAURÉ Au bord de l’eau (4’)
Après un rêve (3’)
DEBUSSY Nuits d’étoiles (2’)
SCHOENBERG Nun sag ich dir zum ersten Mal (4’)
VAUGHAN WILLIAMS Infinite Shining Heavens (2’)
LEVENT/HEYMAN Blame It On My Youth (4’)
GRAINGER Bold William Taylor (4’)
Twa Corbies (3’)
Barb’ra Ellen (6’)
WEILL My Ship (4’)
GRIEG Haugtussa Op.67 III. Blåbaer-Li (2’)
All music arranged by Gwylim Simcock, unless stated.
Due to the improvisational nature of this concert, this programme may be subject to change.
Gwilym Simcock, the “jaw-droppingly exciting” pianist (The Guardian) and jazz superstar is celebrated for his ability to move effortlessly between jazz and classical music.
For one night only, Gwilym and his band of incredible jazz musicians are joined by world-class classical artists for what promises to be a hugely entertaining evening. His phenomenal talent breathes new jazz-inspired life into award-winning makeovers of classical music. This thrilling evening gives a fresh take on Debussy’s ‘Children’s Corner’ and other classics.
Gwilym has toured extensively with the cream of international jazz artists including Kenny Wheeler, Dave Holland and Pat Metheny. His high-profile collaborations with the classical world include a rapturously-received late-night BBC Prom with the classical virtuoso Nigel Kennedy, performing a jazz-infused version of Vivaldi’s Four Seasons.
In partnership with Sheffield Jazz
“The opportunity to collaborate with Gwilym Simcock, a jazz musician steeped in classical repertoire, is a heady one indeed. As a school pianist, my efforts to perform Debussy’s Children’s Corner fell rather flat – so I’m delighted to leave this iteration to the professionals! Song repertoire is all about interpretation.. and I’m so excited to be a part of these new transcriptions. Jazz infused Schoenberg … what’s not to like!!” Claire Booth, 2026
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