SOUNDS OF NOW: HERMES EXPERIMENT

Caroline Shaw

Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. She has worked with a range of artists including Rosalía, Renée Fleming, and Yo Yo Ma, and she has contributed music to films and tv series including Fleishman is in Trouble, Bombshell, Yellowjackets, Maid, Dark, and Beyonce’s Homecoming. Her favorite color is yellow, and her favorite smell is rosemary.

Plan and Elevation

I have always loved drawing the architecture around me when traveling, and some of my favourite lessons in musical composition have occurred by chance in my drawing practice over the years. While writing a string quartet to commemorate the 75th anniversary of Dumbarton Oaks, I returned to these essential ideas of space and proportion — to the challenges of trying to represent them on paper. The title, Plan & Elevation, refers to two standard ways of representing architecture — essentially an orthographic, or “bird’s eye,” perspective (“plan”), and a side view which features more ornamental detail (“elevation”). This binary is also a gentle metaphor for one’s path in any endeavor — often the actual journey and results are quite different (and perhaps more elevated) than the original plan.

I was fortunate to have been the inaugural music fellow at Dumbarton Oaks in 2014-15. Plan & Elevation examines different parts of the estate’s beautiful grounds and my personal experience in those particular spaces. Each movement is based on a simple ground bass line which supports a different musical concept or character. “The Ellipse” considers the notion of infinite repetition (I won’t deny a tiny Kierkegaard influence here). One can walk around and around the stone path, beneath the trimmed hornbeams, as I often did as a way to clear my mind while writing.

© Caroline Shaw

Kerry Andrew

Kerry Andrew is a London-based musician, and author. Her debut novel, Swansong, was published by Jonathan Cape in 2018 and her second SKIN in 2021. She made her short story debut on BBC Radio 4 in 2014 with One Swallow and was shortlisted for the 2018 BBC National Short Story Award.

Kerry is the winner of four British Composer Awards and is best known for her experimental vocal, choral and music-theatre work, often based around themes of community, landscape and myth. She sings with Juice Vocal Ensemble and has released two albums with her band You Are Wolf: Hawk to the Hunting Gone (2014), a collection of avian folk-songs re-interpreted, and Keld (2018), inspired by freshwater folklore.

© David Higham Associates

Fruit Songs

I mango
II plum
III blackberry
IV cherry
V apple

I never treat a poem as a ‘straight’ setting: ‘mango’ is fairly schizophrenic in nature, with sections of percussive phonetics interspersed with sung chunks of the whole text. ‘plum’ is simpler, only picking out ‘forgive me’ as a refrain. In ‘blackberry’, I chose an 11-note row, with 1 quaver pitch to a syllable, which is then deconsructed. ‘cherry’ examines a range of extra-vocal techniques using only the word ‘Oh!’, and has a more theatrical interplay between singer and guitarist. For ‘apple’, I stripped down the Drinkwater poem to what I saw as its essentials. Particular musical influences for these songs include Björk, Meredith Monk, Sheila Chandra, English folk, Japanese, West African and Indian music.

© Kerry Andrew

Hannah Peel

Mercury Prize, Ivor Novello and Emmy-nominated, RTS and Music Producers Guild winning composer, with a flow of solo albums and collaborative releases, Hannah joins the dots between science, nature and the creative arts, through her explorative approach to electronic, classical and traditional music

From her own solo albums to composing soundtracks like Game of Thrones: The last Watch, or to orchestrating and conducting for artists like Paul Weller, her work is ambitious, forward-looking, always adapting and re-inventing new genres and hybrid musical forms

Hannah is a regular weekly broadcaster for BBC Radio 3’s Night Tracks

© Hannah Peel

The Almond Tree

This is a track from Hannah Peel’s 2011 debut album The Broken Wave, which she described as a collection of songs covering themes ranging from “joy and hope of falling in love through to the pain and loss of betrayal.” In 2018 The Almond Tree featured in the opening episode of the Channel 4 / Netflix series Kiss Me First.

Hannah performing The Almond Tree in 2011 https://www.youtube.com/watch?v=piZCfrpa9kE

Misha Mullov-Abbado

Award-winning, London-based jazz bass player, composer and arranger Misha Mullov-Abbado is a musician who combines great imagination with raw talent and a clear vision. A BBC New Generation Artist and with three critically acclaimed albums on Edition Records under his name, his most recent offering Dream Circus showcases his ‘melodic gift’ (John Fordham, The Guardian) and ability to masterfully combine beautifully-crafted compositions with free-spirited improvisation. Written over a three-year period the album, produced by fellow Edition Records bassist and bandleader Jasper Høiby (Phronesis), marks the arrival of an artist who has been on a voyage of self-discovery.

His aforementioned collective features some of the most exhilarating and sought-after young musicians in London and was formed during Misha’s final year at Royal Academy of Music. An experienced band-leader and versatile sideman, Misha regularly performs all over the UK and around the world, including at top London venues such as Ronnie Scott’s, the Vortex, King’s Place and Royal Albert Hall. His vast musical travels have led him to work alongside inspiring musicians

such as Alice Zawadzki, Dave O’Higgins, Tim Garland, Viktoria Mullova, Enzo Zirilli, Sam Lee, Rob Luft, Paul Clarvis, Stan Sulzmann and Nessi Gomes.

A prolific composer and arranger in his own right, Misha embraces his jazz, classical, pop and folk influences and writes for a variety of jazz groups, as well as various classical soloists and ensembles. Commissions include work with the Hermes Experiment, Norfolk & Norwich Festival, LSSO, Hill Quartet, Pelleas Ensemble, NW Live Arts and BBC Radio 3, the latter of which commissioned his cello concerto which was premiered at London’s Southbank Centre by Matthew Barley and the BBC Concert Orchestra.

It’s only a matter of time before Misha seals his place on the international scene at the forefront of a new generation of European creative Jazz musicians.

© www.mishamullovabbado.com

The Linden Tree (2015)

Misha Mullov-Abbado’s The Linden Tree retains the familiar folksong-like lyrics but crafts a new melody and accompaniment. The flowing tune stays true to the bittersweet melancholy of the original, but the score also introduces a range of jazz and swing elements into the instrumental accompaniment, from a strolling pizzicato bass to the occasional quasiimprovisatory solo from the clarinet.

© Kate Wakeling (written for the Hermes Experiment’s album Here we are)