DOHNÁNYI Ernő, Serenade for String Trio in C Op10

Marcia. Allegro
Romanza. Adagio non troppo
Scherzo. Vivace
Tema con variazioni. Andante con moto
Rondo. Finale

Dohnányi was one of three important composers to emerge from Hungary at the turn of the twentieth century. The other two – Bartók and Kodály – both developed highly individual musical voices, partly through their exploration and study of folk music. Dohnányi, a brilliant pianist as well as a gifted composer, chose a different path. He became an enthusiastic disciple of Brahms (who reciprocated by arranging the Viennese première of Dohnányi’s Piano Quintet Op.1) and subsequently evolved a characteristic late-Romantic harmonic language. The Serenade for String Trio was written in 1902. The choice of instruments was surprising: since Mozart and Beethoven the string trio had been neglected but Dohnányi writes for this ensemble most convincingly. His revival of the form may well have encouraged its rediscovery by composers such as Max Reger and Schoenberg. Dohnányi’s Serenade is in five movements, the first of which is a March. The Romance is lyrical and beautifully crafted for the three instruments, and is followed by a quicksilver Scherzo. In the Theme and Variations, Dohnányi makes sure that each of the three instruments has a fair share of the thematic material and he composes some very resourceful variations. The Finale of this inventive and attractive work is an exuberant Rondo.

 

Nigel Simeone © 2011

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