Henry Purcell (1659–1695) was one of the most celebrated English composers of the Baroque era. Among his remarkable works is a series of Fantasias (or Fancies), composed in 1680 when Purcell was only 21 years old. Showcasing his profound skill with contrapuntal writing – in which each of the instrument’s melodic lines work both independently and as part of the musical-whole – the Fantasias are considered among the finest examples of the form and are regarded by many to be the ‘jewel in the crown of English consort music’. This wasn’t always the case, however. When Purcell composed these works, the Fantasia was quite unfashionable. King Charles II is said to have had ‘an utter detestation of Fancys’. Out of favour in the Royal court, Purcell’s Fantasias were therefore likely intended to be performed in domestic settings. Originally written for three viols, they are here transcribed for string trio (violin, viola, and cello).