MOZART Piano Trio in B flat K502
ADÈS Catch
STRAVINSKY A Soldier’s Tale Suite
BRAHMS Clarinet Trio
Marking clarinettist Matthew Hunt’s final appearance in Sheffield as a member of Ensemble 360, he appears in three pieces for this concert. Adès’s Catch is a series of intricate musical games and explosive new sounds for strings, clarinet and piano. Stravinsky’s narrative work, A Soldier’s Tale, features an enjoyable mix of styles including ragtime and klezmer to create a dramatic and melodic miniature epic. To end, one of Brahms’s later works, his Clarinet Trio providing a fitting conclusion to this fantastic concert.
“Ensemble 360 [gave] a mesmerising performance” ***** Bach Track
BACH Prelude & Fugue in C from the Well-Tempered Clavier, Book I
MOZART Fantasie in C minor K475
ROBERT SCHUMANN Ten Impromptus on a Theme by Clara Wieck Op.5
PROKOFIEV Visions fugitives
BYRD Fantasia in A minor
LIGETI Etude No.10 Der Zauberlehrling
SCHUBERT Fantasie in C Wanderer Fantasy
Named ‘Critics’ Classical Music Breakthrough Artist’ in The Times Arts Awards 2021, Mishka Rushdie Momen is one of the most exciting young pianists performing today. This promises to be a tour de force through five centuries of music played with passion and profound musicality, including Schumann’s early impromptus on a theme by his future wife and Schubert’s epic theme and variations, the Wanderer Fantasy, perhaps his most expansive and exciting work.
MOZART Fantasy in C minor K396
SZYMANOWSKI Masques Op.34
CHOPIN Four Ballades
Tim Horton continues his exploration of Chopin’s central place within the history of the piano. Looking back, Mozart’s improvisational Fantasy in C minor is dramatic in quality and dark in tone. Looking forward, Szymanowski’s dream-like Masques is colourful, hypnotic and capricious. Taking centre stage, Chopin’s innovative four Ballades share noble melodies and dance-like quality to explore the varied colours of the piano.
Music and narration performed by Ensemble 360 and Polly Ives
Best-selling children’s book, Izzy Gizmo by Pip Jones, illustrated by Sara Ogilvie, tells the enchanting story of an intrepid young inventor who puts her talents to work to rescue a crow that can’t fly. This brand-new concert for 3 to 7 year-olds brings Izzy’s mechanical marvels and infectious creative spirit to life! Original music by Paul Rissmann features pots, pans, whistles and household items (as well as orchestral instruments). Together with story-telling and visuals from the book, this concert is a great introduction to live music for children. It’s full of wit, invention, songs and actions, and plenty of opportunities to join in.
https://www.youtube.com/watch?v=jBy7lj3b4Yo&list=PL1yytCsGleUXXb3kTN0xvgqSiYp4_FI8c
Watch our Learn the Songs video on YouTube.
For 3 – 7 year-olds
Sponsored by
With thanks to our funders and supporters:
JG Graves Charitable Trust, Sheffield Town Trust, Sheffield Church Burgesses Educational Foundation, Sheffield Bluecoat and Mount Pleasant Foundation, Andrew McEwan Fund
RAVEL Quartet in F
SHOSTAKOVICH Quartet in No. 8 in C minor, Op. 110
DVOŘÁK Quartet in F, Op. 96, American
The Piatti Quartet makes a welcome return to Portsmouth, with perhaps the most famous of all quartets not yet heard in our series, Dvořák’s vigorous and very tuneful ‘American’.
Dvořák was still alive when Ravel composed his only addition to the repertoire, and indeed only ten years separates the two pieces, and yet their sound‐worlds could not be more different. Another huge contrast comes with Shostakovich’s darkly autobiographical C minor work, composed in just three days in 1960. At the time he thought it might be his last, though in the event he went on to produce seven further quartets.
Music and narration performed by Ensemble 360 and Polly Ives
Best-selling children’s book, Izzy Gizmo by Pip Jones, illustrated by Sara Ogilvie, tells the enchanting story of an intrepid young inventor who puts her talents to work to rescue a crow that can’t fly. This brand-new family concert brings Izzy’s mechanical marvels and infectious creative spirit to life! Original music by Paul Rissmann features pots, pans, whistles and household items (as well as orchestral instruments). Together with story-telling and visuals from the book, this concert is a great introduction to live music for children. It’s full of wit, invention, songs and actions, and plenty of opportunities to join in.
For 3 – 7 year-olds
Sponsored by
With thanks to our funders and supporters:
JG Graves Charitable Trust, Sheffield Town Trust, Sheffield Church Burgesses Educational Foundation, Sheffield Bluecoat and Mount Pleasant Foundation, Andrew McEwan Fund
HAYDN Andante with Variations in F minor, Hob.XVII/6
SCHUBERT Sonata in G major D.894
MOZART Rondo in A minor, K. 511
BEETHOVEN Sonata in A‐flat, Op. 110
This is our third attempt to have Martin Roscoe play this programme!
It includes four composers who really cemented Vienna’s reputation as the musical capital of the world. The works presented were all composed there within about forty truly golden years, during which what we now call the ‘classical’ period made the transition to early romanticism. Haydn and Mozart represent the former, while Beethoven’s creative output exemplifies the transition. By the time of Schubert’s final sonatas, Beethoven had only been dead for a year, and yet we are clearly in a different age.
Please note the change to the previously advertised programme
MOZART Piano Trio in E, K. 542
WEIR Piano Quartet
BRAHMS Piano Quartet in G minor, Op. 25
The Gould Trio last visited Portsmouth Chamber Music four years ago with clarinettist Robert Plane when they gave a spellbinding performance of Messiaen’s Quartet for the End of Time.
This time they are joined by violist Gary Pomeroy from the Heath Quartet who played here in May 2013. Brahms’ G minor piano quartet is his most popular chamber work with its whirlwind Hungarian Dance finale. Judith Weir has become almost a household name over the last 20 years or so, being awarded a CBE in 2005, and succeeding Sir Peter Maxwell Davies as Master of the Queen’s Music in 2014.
BEETHOVEN String Quartet in E‐flat, Op. 74, Harp
SCHULHOFF String Quartet No. 1
DVOŘÁK Quartet in G, Op. 106
Like Martin Roscoe, the Pražák Quartet was due to perform for us two seasons ago. Their only previous visit to Portsmouth was in the second season of these concerts, way back in January 2006 when concerts were in the Cathedral.
Erwin Schulhoff was born in Prague in 1894, and was strongly influenced by jazz idioms and rhythms, this quartet dating from 1924. Beethoven’s ‘Harp’ quartet needs little introduction, its nickname deriving from the harp‐like pizzicatos of the first movement. Dvořák’s penultimate quartet is his finest, with great energy in the outer movements, and a most sublime slow movement.
HOWELLS Rhapsodic Quintet
COLERIDGE‐TAYLOR Nonet in F minor, Op. 2
ELGAR Piano Quintet in A minor, Op. 84
An enterprising all‐British programme which features Elgar’s wonderful late piano quintet, composed at the same time as the Cello Concerto, and inhabiting some of the same mood.
Samuel Coleridge‐Taylor studied at the Royal College of Music where his composition teacher was Stanford, and one of his main musical influences was Dvořák. He had enormous success with the cantata Hiawatha’s Wedding Feast, but some of his finest works are actually his early chamber pieces. Howells was very influenced by Elgar who was 35 years his senior, and this piece for clarinet and strings shows the strong melodic impulse which is characteristic of his music.
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