A lively family concert featuring four string musicians (violins, viola and cello) and a presenter. Together they breathe life into the wondrous world of chamber music.
They’ll play well-known classical favourites from Beethoven, Mozart, Schubert and more.
Perfect for 7-11-year-olds, this lively, interactive concert is a great introduction to classical music, and a chance for those who’ve enjoyed our storybook concerts to delve a little deeper.
A lively family concert, featuring five wind musicians (flute, clarinet, oboe, bassoon and horn). Together they breathe life into the wondrous world of chamber music.
They’ll play well-known classical favourites from Britten and Debussy to Haydn and Holst, alongside more recent works such as Anna Meredith’s playful portrait of a moth and Valerie Coleman’s celebratory Kwanza dance.
Perfect for 7-11 year olds, this is a lively, interactive concert is a great introduction to music, or chance for those who’ve enjoyed our storybook concerts to delve a little deeper.
Save £s when you book for 5 Music in the Round concerts or more at the same time. Find out more here.
Programme: BRITTENI. Prologue from Serenade for Tenor, Horn and Strings (1’30) HAYDN arr.ParryIV. Rondo-Allegretto from Divertimento No.1 (2’) ONSLOWIV. Finale (extract) from Wind Quintet(3’30) ARNOLDI. Allegro con brio from ‘Three Shanties’(2’30) VAUGHAN WILLIAMS arr. Morton ‘The Vagabond’ from Songs of Travel (3’) LIGETI III. Allegro grazioso from ‘6 Bagatelles’ (2’30) DEBUSSY‘Syrinx’(3’) BACEWICZI. Allegro from Quintet for Wind Instruments (3’) STRAVINSKY II. from ‘Three Pieces for Solo Clarinet’(1’) HOLSTIV. Air and Variations from Wind Quintet (4’) DANZIIV. Allegretto from Wind Quintet No.2(3’) MEREDITH‘Moth’ from ‘Tripotage Miniatures’(2’30) COLEMANUmoja(2’45)
A lively family concert, presented by Aga Serugo-Lugo and featuring five wind musicians (flute, clarinet, oboe, bassoon and horn). Together they breathe life into the wondrous world of chamber music.
They’ll play well-known classical favourites from Britten and Debussy to Haydn and Holst, alongside more recent works such as Anna Meredith’s playful portrait of a moth and Valerie Coleman’s celebratory Kwanzaa dance. Perfect for 7-11 year olds, this is a lively and interactive concert.
Become musical detectives in the wondrous world of chamber music!
This specially created concert for young audiences combines some of the most well-known music ever written, alongside playful storytelling in Berio’s entertaining Opus Number Zoo.
With thrilling musical adventures told through music, cheeky characters and epic heroes, this concert of marvellous musical games is perfect for children aged 7 – 11.
Programme includes excerpts from:
ASTOR PIAZZOLLA – Libertango (2’30) SCOTT JOPLIN – New Rag for Wind Quintet (3’30) ALEXANDER VON ZEMLINSKY – Humoresque (3’30) LUDWIG VAN BEETHOVEN – Bagatelle Op. 119 No. 3 (2’) PER NØRGÅRD – Whirl’s World (2’) ANTON REICHA – Wind Quintet in D (3’30) CARL NIELSEN – Wind Quintet (3’) EMILY DOOLITTLE – ‘Bobolink’ from Woodwings (4’) AUGUST KLUGHARDT – Wind Quintet Op. 79 (2’30) LUCIANO BERIO – Opus Number Zoo (3’)
Save 20% when you book for 10 or more Music in the Round concerts in one transaction. Save 10% when you book for 5 or more Music in the Round concerts in one transaction. Find out more.
PIAZZOLLA Astor, Libertango (extract for Close Up)
Let’s get our concert off to a dancing start! Libertango is a fun mix of tango and jazz, full of energy and rhythm. Close your eyes and imagine dancers moving quickly—sometimes fast, sometimes slow, but always exciting! It was written by Astor Piazzolla, a musical rule-breaker from Argentina in South America, who loved to take the traditional dance music of the tango and twist it into something new and thrilling
JOPLIN Scott, New Rag arr. for Wind Quintet (extract for Close Up)
A happy, bouncy ragtime tune that makes you want to tap your feet! It’s like a musical puzzle full of repeating patterns. American composer Scott Joplin, is sometimes called ‘the King of Ragtime’. He mostly wrote dancing piano music which you may have heard without knowing it: his music was used in Tom and Jerry cartoons and also in The Lego Movie.
ZEMLINSKY Alexander Von, Humoresque (extract for Close Up)
A musical joke full of skips and hops! Alexander Zemlinsky was an Austrian composer who loved drama and fairy tales, and this piece is like a mischievous character darting around, surprising us with funny twists. Who might they be? How are they moving? What do they look like and what, most importantly, are they up to?
BEETHOVEN Ludwig Van, Bagatelle Op.119 No.3 (extract for Close Up)
Short but sweet and sounding like a musical smile: this cheerful piece was written by Ludwig van Beethoven, a German composer who changed music forever, writing huge symphonies for massive orchestras and tiny musical gems like this one. Like the Scott Joplin piece, this was first written for a piano (which you can hear in the clip on this page) but takes on its own character when played by five wind musicians. How does changing the instruments but playing the same notes change this lovely piece?
NØRGÅRD Per, Whirl’s World (extract for Close Up)
Sometimes, like a thrilling story or film, what makes music exciting, also makes it strange and scary… This piece is like being inside a spinning top! Full of fast, twirling sounds, it’s magical whirlwind of strange, darkness. Like a real-life tornado is starts slowly, becomes furiously fast, and collapses back into silence. Per Nørgård is a Danish musical explorer, who loves creating music that feel like galaxies, storms, or even buzzing insects. This piece, he has described as “a water-world of ripples and bubbles”. Can you hear what he means?
REICHA Antón, Wind Quintet in D Op.91 (extract for Close Up)
This piece is like a musical chase! The flute, oboe, clarinet, horn, and bassoon take turns playing fast, playful tunes, as if they’re chatting like musical friends. The composer, Antón Reicha, loved puzzles and games—and you can hear it in how the instruments weave together in clever ways.
NIELSEN Carl, Wind Quintet (extract for Close Up)
A musical conversation where each instrument has its own personality! Sometimes they agree, sometimes they argue—but it’s always fun. This section is a type of composition called a ‘theme and variations’ in which the Danish composer Carl Nielsen took a beautiful hymn tune he knew from church and used his imagination to change it a bit more each time we hear it, making something new out of something he found. It’s like musical recycling!
DOOLITTLE Emily, Bobolink (extract for Close Up)
A bubbly, chirpy piece that sounds like a bird singing in a meadow! Emily Doolittle is a modern composer writing music today who loves nature, and her music often brings the outdoors to life. Lots of composers have been inspired by birds: some have created musical pictures of them flying or getting up to adventues, others have tried to write down their beautiful song as if it were human music and get the instruments to do their best bird impressions. What sort of bird music do you think Emily Doolittle is writing here?
KLUGHARDT August, Wind Quintet Op.79 (extract for Close Up)
Bright and lively, this music is like a game of tag between the instruments! August Klughardt was a Romantic composer who turned music into storytelling—full of excitement and emotion. Sometimes his work told stories using actors, singers and huge orchestras, sometimes it was inspired by myths and legends. This piece treats our wind players like five characters. What sort of story are they telling?
BERIO Luciano, Opus Number Zoo (extract for Close Up)
Luciano Berio was a musical inventor who loved turning everyday sounds into music. This is the last part of his ‘musical zoo’ where each section is a different animal! In this piece, our wind players have to use different sorts of musical voices: speaking as well as playing. It’s like a musical cartoon of a pair of Tom Cats. How do they instruments bring the fighting cats to life?And what do you think happens in the end?
CLOSE-UP FAMILY CONCERT: MUSIC FOR CURIOUS YOUNG MINDS
A lively family concert, featuring five wind musicians (flute, clarinet, oboe, bassoon and horn) and a very special guest singer, Roderick Williams (soloist at King Charles III’s Coronation) who will perform Vaughan Williams’ song ‘The Vagabond’. Together they breathe life into the wondrous world of chamber music.
They’ll play well-known classical favourites from Britten and Debussy to Haydn and Holst, alongside more recent works such as Anna Meredith’s playful portrait of a moth and Valerie Coleman’s celebratory Kwanza dance.
Perfect for 7-11 year olds, this is a lively, interactive concert, and a rare opportunity for families to experience the world-famous baritone Roderick Williams performing up close in the Crucible Playhouse!
Save £s when you book for 5 Music in the Round concerts or more at the same time. Find out more here.
Programme: BRITTENI. Prologue from Serenade for Tenor, Horn and Strings (1’30) HAYDN arr.ParryIV. Rondo-Allegretto from Divertimento No.1 (2’) ONSLOWIV. Finale (extract) from Wind Quintet(3’30) ARNOLDI. Allegro con brio from ‘Three Shanties’(2’30) VAUGHAN WILLIAMS arr. Morton ‘The Vagabond’ from Songs of Travel (3’) LIGETI III. Allegro grazioso from ‘6 Bagatelles’ (2’30) DEBUSSY‘Syrinx’(3’) BACEWICZI. Allegro from Quintet for Wind Instruments (3’) STRAVINSKY II. from ‘Three Pieces for Solo Clarinet’(1’) HOLSTIV. Air and Variations from Wind Quintet (4’) DANZIIV. Allegretto from Wind Quintet No.2(3’) MEREDITH‘Moth’ from ‘Tripotage Miniatures’(2’30) COLEMANUmoja(2’45)
A tour through the wondrous world of chamber music, specially created for young audiences.
Combining some of the most well-known music ever written, as well as some new works from surprising places. This brand-new concert includes thrilling adventures through music, cheeky characters and epic heroes, along with mind-blowing musical games and the chance to join in and make music together.
Introduced by Aga Serugo-Lugo, this is a friendly hour of fun and the finest string quartet music.
Ideal for 7-11 year olds.
The concert includes extracts from:
SCHUBERT String Quartet in D Minor ‘Death And The Maiden’ STRAVINSKY Three Pieces
HAYDN Op.33 No.3 ‘Russian Quartet’ MOZART String Quartet In E Flat
WEIR String Quartet
MEREDITH Short Tribute to Teenage Fanclub
Arr. BURLEIGH Oh Lord, What a Morning
SUK Meditation on an Old Czech Chorale
BEETHOVEN String Quartet No. 16 Op.135 DVOŘÁK String Quartet No.12 ‘American Quartet’
SCHUBERT String Quartet in D Minor (excerpt for ‘Close Up’)
Hey Presto! We begin with a twitchy chase from Franz Schubert, which he told the string players should be played ‘presto’ meaning ‘very quick or very fast’. How does the sound change when each musician plays on their own? How do you feel when they all play the same tune together? This tense piece kicks off an exciting hour of music…
HAYDN Russian Quartet No.3 (excerpt for ‘Close Up’)
Haydn was the composer who did most to first create a form of music for two violins, a viola and a cello: a group we know as a string quartet. This piece has the nickname ‘The Bird’ — can you hear why?
MOZART String Quartet In E Flat K428 (excerpt for ‘Close Up’)
This beautiful tune is almost like a lullaby and shows how gentle the sound of the strings can be. Listen to the way the first violin plays a tune and the other three instruments rock gently back and forth underneath, creating a warm blanket of sound. This is music to wrap up warm within. How does it make you feel?
WEIR String Quartet (excerpt for ‘Close Up’)
This string quartet was written by a composer who is making music today, the wonderful Judith Weir. A piece full of mysteries, inspired by a medieval Spanish tune. This quartet sounds like a strange landscape where it’s easy to get lost among these lopsided rhythms where nothing is quite as it seems…
SUK Josef, Meditation on an Old Czech Chorale (excerpt for ‘Close Up’)
This piece was written at the start of the first world war and is full of the drama and sadness of a scary time. But it ends full of hope with long notes seeming to climb into the air. Look and listen out for all the times the musicians play across the strings to make two or more notes sound at once — a technique called double stopping.
MEREDITH Anna, Short Tribute to Teenage Fanclub (excerpt for ‘Close Up’)
Anna Meredith is another musician writing music today. She makes music for her band as well as for classical musicians, often mixing up instruments usually seen in an orchestra with rock and pop instruments. This piece combines the two and is a tribute to one of her favourite bands performed by string quartet who don’t use their bows at all but pluck their instruments in a technique called ‘pizzicato’.
BEETHOVEN ‘The Harp’ Quartet (excerpt for ‘Close Up’)
This beautiful quartet is known as ‘the harp’ because in the first part, all four musicians have sections where they pluck the strings their instruments rather than using the bow. Can you hear the difference?
BURLEIGH Henry Thacker, Oh Lord, What A Morning (excerpt for ‘Close Up’)
This is a traditional song created by enslaved Africans in America. The composer and singer Harry Burleigh was the grandchild of slaves who became a famous musician and helped share music by black people with the rest of the world. This simple song looks forward to a better time when injustices like slavery and racism will end. Perhaps you can hear both the sadness and the hope in this beautiful music.
STRAVINSKY Igor, Three Pieces for String Quartet (excerpt for ‘Close Up’)
This spiky, short piece of music was created in Russia at the same time Suk wrote the piece we heard earlier. Stravinsky uses the plucking technique we heard in the Meredith and Beethoven, as well clashing notes and unexpected changes in pulse and speed. Stravinsky keeps us guessing what he’ll do next!
DVOŘÁK ‘American’ String Quartet (excerpt for ‘Close Up’)
This piece brings our concert to a celebratory end, from Czech composer Anton Dvořák. Listen out for all the places it gets louder, or faster — or both! — or where the quartet hang back to build tension. This piece uses folk tunes from Czechoslovakia, where Dvořák was born and started writing, and includes a native American tune, and music from all the people like him who had travelled to live and work in the USA. Bringing these together, our concert ends with an explosion of joy!
A tour through the wondrous world of chamber music, specially created for young audiences, combining well-known classical favourites with new works from surprising places. This concert for 7-11 year-olds includes thrilling musical adventures told through music, cheeky characters and epic heroes, mind-blowing musical games, and the chance to join in and make music together.
Ideal for 7-11 year olds.
The concert includes extracts from:
SCHUBERT String Quartet in D Minor ‘Death And The Maiden’ STRAVINSKY Three Pieces
HAYDN Op.33 No.3 ‘Russian Quartet’ MOZART String Quartet In E Flat
WEIR String Quartet
MEREDITH Short Tribute to Teenage Fanclub
Arr. BURLEIGH Oh Lord, What a Morning
SUK Meditation on an Old Czech Chorale
BEETHOVEN String Quartet No. 16 Op.135 DVOŘÁK String Quartet No.12 ‘American Quartet’
SCHUBERT String Quartet in D Minor (excerpt for ‘Close Up’)
Hey Presto! We begin with a twitchy chase from Franz Schubert, which he told the string players should be played ‘presto’ meaning ‘very quick or very fast’. How does the sound change when each musician plays on their own? How do you feel when they all play the same tune together? This tense piece kicks off an exciting hour of music…
HAYDN Russian Quartet No.3 (excerpt for ‘Close Up’)
Haydn was the composer who did most to first create a form of music for two violins, a viola and a cello: a group we know as a string quartet. This piece has the nickname ‘The Bird’ — can you hear why?
MOZART String Quartet In E Flat K428 (excerpt for ‘Close Up’)
This beautiful tune is almost like a lullaby and shows how gentle the sound of the strings can be. Listen to the way the first violin plays a tune and the other three instruments rock gently back and forth underneath, creating a warm blanket of sound. This is music to wrap up warm within. How does it make you feel?
WEIR String Quartet (excerpt for ‘Close Up’)
This string quartet was written by a composer who is making music today, the wonderful Judith Weir. A piece full of mysteries, inspired by a medieval Spanish tune. This quartet sounds like a strange landscape where it’s easy to get lost among these lopsided rhythms where nothing is quite as it seems…
SUK Josef, Meditation on an Old Czech Chorale (excerpt for ‘Close Up’)
This piece was written at the start of the first world war and is full of the drama and sadness of a scary time. But it ends full of hope with long notes seeming to climb into the air. Look and listen out for all the times the musicians play across the strings to make two or more notes sound at once — a technique called double stopping.
MEREDITH Anna, Short Tribute to Teenage Fanclub (excerpt for ‘Close Up’)
Anna Meredith is another musician writing music today. She makes music for her band as well as for classical musicians, often mixing up instruments usually seen in an orchestra with rock and pop instruments. This piece combines the two and is a tribute to one of her favourite bands performed by string quartet who don’t use their bows at all but pluck their instruments in a technique called ‘pizzicato’.
BEETHOVEN ‘The Harp’ Quartet (excerpt for ‘Close Up’)
This beautiful quartet is known as ‘the harp’ because in the first part, all four musicians have sections where they pluck the strings their instruments rather than using the bow. Can you hear the difference?
BURLEIGH Henry Thacker, Oh Lord, What A Morning (excerpt for ‘Close Up’)
This is a traditional song created by enslaved Africans in America. The composer and singer Harry Burleigh was the grandchild of slaves who became a famous musician and helped share music by black people with the rest of the world. This simple song looks forward to a better time when injustices like slavery and racism will end. Perhaps you can hear both the sadness and the hope in this beautiful music.
STRAVINSKY Igor, Three Pieces for String Quartet (excerpt for ‘Close Up’)
This spiky, short piece of music was created in Russia at the same time Suk wrote the piece we heard earlier. Stravinsky uses the plucking technique we heard in the Meredith and Beethoven, as well clashing notes and unexpected changes in pulse and speed. Stravinsky keeps us guessing what he’ll do next!
DVOŘÁK ‘American’ String Quartet (excerpt for ‘Close Up’)
This piece brings our concert to a celebratory end, from Czech composer Anton Dvořák. Listen out for all the places it gets louder, or faster — or both! — or where the quartet hang back to build tension. This piece uses folk tunes from Czechoslovakia, where Dvořák was born and started writing, and includes a native American tune, and music from all the people like him who had travelled to live and work in the USA. Bringing these together, our concert ends with an explosion of joy!
A tour through the wondrous world of chamber music, specially created for young audiences, combining some of the most well-known music ever written as well as some new works from surprising places.
This brand-new concert includes thrilling adventures told through music, cheeky characters and epic heroes along with mind-blowing musical games and the chance to join in and make music together.
Introduced by Aga Serugo-Lugo, this is a friendly hour of fun and the finest string quartet music. Ideal for 7-11 year olds.
The concert includes extracts from:
SCHUBERT ‘Death And The Maiden’ HAYDN ‘The Bird’
MOZART String Quartet In E Flat WEIR String Quartet
SUK Meditation on an Old Czech Chorale
MEREDITH Short Tribute to Teenage Fanclub BEETHOVEN ‘The Harp’
BURLEIGH Oh Lord, What a Morning
STRAVINSKY Pieces for String Quartet DVOŘÁK‘American Quartet’
SCHUBERT String Quartet in D Minor (excerpt for ‘Close Up’)
Hey Presto! We begin with a twitchy chase from Franz Schubert, which he told the string players should be played ‘presto’ meaning ‘very quick or very fast’. How does the sound change when each musician plays on their own? How do you feel when they all play the same tune together? This tense piece kicks off an exciting hour of music…
HAYDN Russian Quartet No.3 (excerpt for ‘Close Up’)
Haydn was the composer who did most to first create a form of music for two violins, a viola and a cello: a group we know as a string quartet. This piece has the nickname ‘The Bird’ — can you hear why?
MOZART String Quartet In E Flat K428 (excerpt for ‘Close Up’)
This beautiful tune is almost like a lullaby and shows how gentle the sound of the strings can be. Listen to the way the first violin plays a tune and the other three instruments rock gently back and forth underneath, creating a warm blanket of sound. This is music to wrap up warm within. How does it make you feel?
WEIR String Quartet (excerpt for ‘Close Up’)
This string quartet was written by a composer who is making music today, the wonderful Judith Weir. A piece full of mysteries, inspired by a medieval Spanish tune. This quartet sounds like a strange landscape where it’s easy to get lost among these lopsided rhythms where nothing is quite as it seems…
SUK Josef, Meditation on an Old Czech Chorale (excerpt for ‘Close Up’)
This piece was written at the start of the first world war and is full of the drama and sadness of a scary time. But it ends full of hope with long notes seeming to climb into the air. Look and listen out for all the times the musicians play across the strings to make two or more notes sound at once — a technique called double stopping.
MEREDITH Anna, Short Tribute to Teenage Fanclub (excerpt for ‘Close Up’)
Anna Meredith is another musician writing music today. She makes music for her band as well as for classical musicians, often mixing up instruments usually seen in an orchestra with rock and pop instruments. This piece combines the two and is a tribute to one of her favourite bands performed by string quartet who don’t use their bows at all but pluck their instruments in a technique called ‘pizzicato’.
BURLEIGH Henry Thacker, Oh Lord, What A Morning (excerpt for ‘Close Up’)
This is a traditional song created by enslaved Africans in America. The composer and singer Harry Burleigh was the grandchild of slaves who became a famous musician and helped share music by black people with the rest of the world. This simple song looks forward to a better time when injustices like slavery and racism will end. Perhaps you can hear both the sadness and the hope in this beautiful music.
BEETHOVEN ‘The Harp’ Quartet (excerpt for ‘Close Up’)
This beautiful quartet is known as ‘the harp’ because in the first part, all four musicians have sections where they pluck the strings their instruments rather than using the bow. Can you hear the difference?
STRAVINSKY Igor, Three Pieces for String Quartet (excerpt for ‘Close Up’)
This spiky, short piece of music was created in Russia at the same time Suk wrote the piece we heard earlier. Stravinsky uses the plucking technique we heard in the Meredith and Beethoven, as well clashing notes and unexpected changes in pulse and speed. Stravinsky keeps us guessing what he’ll do next!
DVOŘÁK ‘American’ String Quartet (excerpt for ‘Close Up’)
This piece brings our concert to a celebratory end, from Czech composer Anton Dvořák. Listen out for all the places it gets louder, or faster — or both! — or where the quartet hang back to build tension. This piece uses folk tunes from Czechoslovakia, where Dvořák was born and started writing, and includes a native American tune, and music from all the people like him who had travelled to live and work in the USA. Bringing these together, our concert ends with an explosion of joy!
Singers of all ages and abilities come together for music-making and an informal performance.
Sing with us in the peaceful setting of Samuel Worth Chapel as we explore two pieces of beautiful music that meld histories together through time.
We’ll workshop English composer Tippett’s arrangement of Willis’ Steal Away and American composer Shruthi Rajasekar’s Jayjaykar! before an informal performance to friends and family at the end of the event (1pm-1.30pm).
Sheffield Chamber Choir’s Robert Webb will lead us in performing this beautiful music which together references choral traditions from both England and India while providing perspectives from two very different places and points in history. Shruthi Rajasekar will also be zapping in from the US during the day and has recorded insights about her music especially for you. We’ll be sharing this with you during the break.
Either learn by ear or from provided notation. This event is for both beginners and experienced singers alike (although some experience of singing in a choir will be helpful).
Recordings of both pieces can be found here: https://linktr.ee/mitr_participation and if you’d like a chat before signing up, please email ellen@musicintheround.co.uk
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