Anthony is a graduate of the Royal Academy of Music & the National Opera Studio. He has sung principal roles with many of the UK’s major opera companies – English National Opera, Scottish Opera, Grange Park Opera, Buxton Opera Festival, Northern Ireland Opera, Iford Arts, Nevill Holt Opera and Opera Della Luna amongst others. He began his career in the original Olivier award-winning production of La bohème as Rodolfo for OperaUpClose. In 2021, he made his acting debut to much critical acclaim in King Lear alongside Sir John Tomlinson & Sir Thomas Allen at The Grange Festival and The Soldier’s Tale at Edinburgh International Festival with Sir Thomas Allen. He is very active on the private function market, passionate about educational outreach in the arts and has sung with many celebrated orchestras such as the Royal Philharmonic. He recently founded his own opera theatre company Prologue Opera in his hometown of Hastings. He continues to broaden his work as a Producer with other music companies in the region and also in other genres…for example by recently playing Hillaire Belloc in Cautionary Tales – a new musical play (dir. Keith Warner). Most recently, he sang Cavaradossi in Becoming Tosca (Prologue Opera).

Camille has achieved notable acclaim for bridging both musical and cultural divides. Born to a Coptic Egyptian father and English mother, her repertoire is as extensive as it is diverse, specialising in singing new music and often working directly with composers to incorporate elements of Arabic music.

Camille made her debut at Glyndebourne last autumn, playing Oma in Glass Human by Samantha Fernando. Recent highlights include ‘Weather Forecaster’ in The Water Diviner’s Tale for Opera North; presenting a group of newly written songs at Hull Jazz Festival as a Kickstart Commission Artist, and the premiere of Egyptian composer, Nahla Mattar’s Songs on Colloquial Arabic at the Royal Opera House Engender Festival. In addition, Camille completed a PRSF Resonance residency with Opera North, where she explored the diversity of her cultural heritage more deeply, co-creating a new song cycle, Mezzaterra (Meeting Point), which has been performed at Opera North and as part of the Tete-a-Tete festival.

Robert studied singing at Manhattan School of Music, New York, the Tanglewood Music Center, Aspen Music Festival (performing lead role in John Casken’s Golem) and the Britten Pears School. He was a recipient of the Garsington Opera Prize.

Work includes Orlando Gough’s Weather the Storm (Garsington Opera), Billy Budd in Billy Budd REimagined (ROH), Old Man in The Moon Hares (Orchestra of the Age of Enlightenmen), Scott Stroman’s new opera ‘The Weekend’, based on Michael Palin’s play, (Bloomsbury Theatre), Old Man in world premiere of The Old Man and the Sea (First Light Festival/Britten Pears Arts), Don Giovanni (Garsington Opera Lord Mayor/Education Project), Lord Cecil in Philip Cashian’s The Cumnor Affair (Tête à Tête), Compere in The Answer to Everything (Streetwise Opera/BFI), Head Fox in children’s opera Outfoxed at the Royal Festival Hall, Journalist in Jonathan Dove’s TV opera Man on the Moon (Channel 4) and Dave Brubeck’s cantata La fiesta e la posada (London Symphony Orchestra /Barbican).

Paul has worked in an extensive range of acting roles from TV drama, Children’s TV, and West End Musicals and shows. Credits include Ghost Stories, War Horse, Old Jack’s Boat, The Railway Children and Emmerdale.